Wraps with printed glassine over soft covers
The text and sequencing emphasize how the "selective eye" extracts specific geometries
Published in Paris during the height of the Belle Époque
and he was recognized for his ability to find stark
the roughly 240-page volume features introductory text and captions printed in Czech
Talbot. "Fox Talbot: Father of Photography," by Gail Buckland, in Portfolio: The Magazine of the Visual Arts, Volume I, No. 1, April/May 1979. Untitled (Friends of Photography) Wraps with printed glassine overEntire inaugural issue, 128 pages, illustrated article on William Henry Fox Talbot, pages 40 47. Other articles include, "Winogrand's Rodeo," by Ben Lifson, pages 90 94, about Garry Winogrand's then new series. Near fine with minor signs of use. Summary: The premiere issue of Portfolio: The Magazine of the Visual Arts (Volume I, Number 1, April May 1979) is a landmark publication designed to bridge the gap between specialized art journals and the
