transforming ordinary architectural fragments into compositions that are both meditative and formally resonant
It is an essential volume for understanding the mid-1970s pivot from "pictorial" photography toward a more intellectual
marking a moment when photography was firmly asserting itself as a medium of high art and complex philosophy
It features a historical checklist and analysis of the groundbreaking quarterly journal Camera Work(1903–1917) and the physical exhibitions held at his iconic Little Galleries of the Photo-Secession (better known as 291) in New York City
the surreal structures of the Désert de Retz in France
From Klimt to Klee: Masterworks from the Serge Sabarsky Collection. Untitled (Friends of Photography) transforming ordinary architectural fragments intoNeue Gallery, New York, 2009 by Rene Price, with remembrances of Sabarsky by curators, art dealers, et al. In addition to artwork reproductions includes photographs of Sabarsky. 124 pages. 169 color plates by well known artists: Alfred Kubin, Gustav Klimt, Richard Gerstl, Egon Schiele, Oskar Kokoschka, Max Oppenheimer, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt Rottluff, Hermann Max Pechstein, Otto Mueller, Emil Wolde, Vasily Kandinsky, Franz