Smith, W. Eugene. "The Conscience of the Print," in Camera 35, May 1970. Untitled (Friends of Photography) Taft’s work approaches the medium

Taft’s work approaches the medium as an indispensable recording form and a powerful shaper of national identity

Alternative & Historical Processes: Introducing various unusual and hybrid photographic chemistry techniques used to create unique visual textures

and community structures across the American South

Includes “San Francisco Bay Windows” and two photos of beach rocks by Brett Weston

Jane Reece by Karen S

Smith, W. Eugene. "The Conscience of the Print," in Camera 35, May 1970. Untitled (Friends of Photography) Taft’s work approaches the mediumEntire issue of Camera 35 featuring article on W. Eugene Smith, with portfolio of Smith photographs, pages 36 42 and detailed analysis of Smith's working methods by Bob Combs, pages, 43, 60, 62, 64, 66 69. There is another full page Smith photo in a Soligor ad on page 61. Other articles include using punched cards to find photos in a collection. Condition generally good with the two leaves in center of magazine detached (could be reattached). Summary: